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She doesn’t speak, doesn’t appear to have any origin story, and seems to possess magical powers. That’s when the feral pixie he comes to call Uta ( Emi Lo) comes to his rescue. And one day, nosing around there, he falls into one of the “ant lion trap” vortexes that bedevil this Water World.
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He picks up something musically strange and ethereal emanating from the mostly-disintegrated Tokyo version of the Eiffel Tower. Hibiki doesn’t hear music through his Beats. Makoto ( Erica Lindbeck) is studying “the anomaly” and the its impact on the “lost boys” (they’re orphans) who risk their necks leaping from building to rubble to bubble in the battlekour contests. He trains, blocks out the world via his headphones and leaves his four teammates, their “supervisor” Shin ( Keith Silverstein) and the scientist that lives with them on this rusting out Japanese Coast Guard ship in the half-submerged city to their own devices. The Blue Blazers are the best, thanks to their loner parkour ace Hibiki (voiced by Zach Aguilar in the English dub of the film). The only people living in this flooded, ruined Tokyo are hardcore parkour teams who take advantage of the glitches in gravity to compete in streamed and gambled on “Battlekour” games. A “gravity anomaly” heralded by bubbles that rained down on the planet left buildings half-collapsed, suspended pieces of them floating around with trains, rusting out buses and bubbles - always more bubbles It’s set in a literal bubble in a dystopian Tokyo. But when Warner Brothers Animation gets a commission from Netflix, “Bubble” becomes their chance to make a (streaming) feature film. The Japanese WIT studio works primarily in TV. Turning the dark children’s fantasy “The Little Mermaid” into science fiction seems kind of pointless, but as they say in Japan, “Anime’s gonna anime.”